Who Am I? On Iconography, Faith, and Self-Identity
In one of the great classic works of French literature, the author Victor Hugo tells the story of Jean Valjean, a man who spent nineteen years in prison, growing angrier and more filled with hate toward the world with each passing day. The first five years were for stealing a loaf of bread to feed his sister’s starving family, but then he suffered for fourteen additional years for attempting to run away. The story of Les Misérables follows his journey from his release from prison on parole to a life of service, sacrifice, love, mercy, grace, and, ultimately, redemption. In the musical adaptation of this story, a pivotal moment takes place early in the story when Jean Valjean, who had been gifted a meal and safe shelter for the night from a kindly bishop, gives in to temptation, steals the bishop’s silverware and runs off, only to be captured by the local constables. Valjean claims that the silver was given as a gift from the bishop but the police, not believing the words of a crimina